All that comes from your childhood, but for me the music can be terrifying. I could hear the rain falling on my office skylights, it was dark outside like the ‘other world’ in Coraline, and my office phone rang. It was good because I had the time to change my mind, to change the orchestrations. It was really fantastic because there’s such a distance between us. Coraline is a 2009 American stop-motion animated dark fantasy horror film directed and written for the screen by Henry Selick based on the 2002 novella of the same name by Neil Gaiman. Henry tried [putting] a lot of [temp] music with his drawings, his animatics, and I don’t know why, but he tried the music I made for a movie called Microcosmos, and it worked! At the beginning the music is very normal, very quiet, and little by little it becomes scarier. It started in A and the song finished in B, it was very funny. Since this film took three years to make and you worked on it for two, how did you work on the score as the film progressed, from a script, talking with Henry, seeing the film, or by storyboards? Caroline Shaw is a New York-based musician—vocalist, violinist, composer, and producer—who performs in solo and collaborative projects. Type of Song. Bruno Coulais. Composer Bruno Coulais’s love of film is wide and deep, but there is one thing he hates: flat lighting. This single film, which highlighted Bruno’s music, was a great success and made Coulais one of the most demanded film composers in France. We were on the same page and had this great collaboration. I am all forgetting. What ethnic instrumentation did you use in your score? At the very beginning I wanted the music to be quiet but with strange sounds. It depends. Also I used a lot of strange world instruments including a glass harmonica, water phones, various harps, chimes, glockenspiels, marimbas, and creative world percussion to give the soundscape a plucked personality. He absolutely loved working with Selick as he joyfully says, “I’m really a huge fan of Henry, the man and the director too.” As our discussion progresses, the musical philosophy of scoring Coraline is revealed. At the end Henry told me, ‘I want to keep this voice,’ so we mixed the song with The Children’s Choir of Nice, Teri Hatcher, and my voice. You can’t just go to bed, go to sleep, and wake up in the real world free. Henry recorded this with actress Michele Mariana in a studio and we didn’t have the same tonality, so I had to use my imagination to change the tonality. I used piano toys, but not only pianos, quite a lot of different toys that make all kinds of sounds. First of all I recorded the oboe in, Yes, that was the difficulty because they’d change the formula. Sometimes when I don’t have any ideas I have to leave my office and walk around, I go to exhibitions, and it’s very mysterious when my ideas appear during these moments. I had the idea to use these toys, Chinese instruments, strange percussion, piano toys, and afterwards a brass band. My favorite film is The Night of the Hunter directed by Charles Laughton and it stars Robert Mitchum, I remember this sequence when the kids are on the boat and the girl sings this beautiful song called Once Upon A Time There Was A Pretty Fly (Lullaby). Coraline (2009) cast and crew credits, including actors, actresses, directors, writers and more. Print and download Exploration sheet music from Coraline. these are not the actual lyrics so please don't flame me!! Scoring animation is nothing new for Coulais who composed music for one of his favorite scores to The Boy Who Wanted to Be a Bear (2002), then next a Swiss stop motion film Max & Co. 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