Most recently, Mustard delivered two of the biggest (and best) songs of 2019, “Pure Water” with Migos and “Ballin” with Roddy Ricch, but that’s just the beginning. Here's how to watch the show on Sunday, September 13 at 8 p.m. You came away feeling uplifted, which is the mark of top-tier entertainment in quar. Every “Oh Boy” would be countered with an “I’m Ready,” every “U Don’t Know” with a “Dipset Anthem.” The streets would never be the same. Instagram en Facebook zijn allebei zeer geschikt voor leadgeneratie en community building. And he’s continued to work with the hottest artists: Travis Scott, Quavo, and countless others. Complex dubbed Madlib the 2019 Producer of the Year due to his work on Freddie Gibbs’ Bandana, but his discography goes way deeper than that. Two hitmakers with at least 20 songs under their belt go head … While Jeremih has typically stayed within the R&B genre, he has worked with a wide range artists from PartyNextDoor to Justine Skye and August Alsina. Highlights: The six-song Jay-Z war where we got to hear classic cuts from the In My Lifetime albums, every time Swizz played DMX and Timbo quipped, “You playing your artist.” Trash talk is key. What’s the rundown? Already a subscriber? ScHoolboy Q is a good second star, but he seems more interested in golfing and raising a family than aspiring for the charts at the moment. —Will Schube, The members of L.A.’s premiere rap squad, Stinc Team, are currently facing various levels of harassment from the LAPD, so for the sake of this argument, let’s pretend that the wildly corrupt tactics of L.A.’s police force have subsided and Drakeo the Ruler, Ketchy the Great, Ralfy the Plug, and Bambino are able to battle Buffalo’s wrecking crew in peace. At the same time Just was cooking up the Roc, the Heatmakerz were giving Dipset their signature sound. Music signee Legend over the years on songs including “Blame Game” and “They Say.” Both performers have worked in other mediums. Lil Jon and Teddy Paindergrass are the yin and yang of mid-’00s hip-hop radio. Jill was a wonder in BET’s The Clark Sisters: First Ladies of Gospel; Erykah was memorable in Cider House Rules and a riot in What Men Want. Who won? Four versus five is the most interesting matchup here, and while the 51-year-old Birdman succumbs to a nap early in the competition, he’s able to outlast Baby Keem with relative ease. Our editorial content is not influenced by any commissions we receive. Their Verzuz battle was a master class in old friends with unresolved business. The Instagram Stories feature alone — that series of bubbles at the top of the app that shows people’s shared photos and video clips for up to 24 hours — has grown to … Everyone who couldn’t miss a night of internet engagement for cheering a guy with a grisly DV case has something to work on. And for that all-important last round? Airing since March, the weekly Instagram Live show features musicians and producers competing against one another with their back catalogs. Both groups benefited from having a world class producer and label owner with a solid roster in their corner. Created and launched by superproducers Timbaland and Swizz Beatz in late March, “Verzuz” does sound a lot like a battle. Ronny J’s aggressive style brings out the best in everyone from Lil Pump to Ski Mask the Slump God to Smokepurpp to even J. Balvin. —Will Schube, battle addiction and mental health issues. With his just-released “In Love With A Stripper,” we see 645ar riding his buzz to victory. The battle between R&B groups 112 and Jagged Edge was a perfect matchup, at least on paper. 453.1k Followers, 121 Following, 384 Posts - See Instagram photos and videos from VERSUS (@versusbattleru) Johntá’s catalog — see: Bow Wow and Ciara’s “Like Mine,” Chris Brown’s “Run It!,” Trey Songz’s “Can’t Help But Wait,” and Mariah’s “We Belong Together” and “Shake It Off” — fills out the picture of a bygone era of wholesome 106 & Park countdowns and carefree rhythmic contemporary radio fare. Who won? Boi-1da’s track record is longer. Of course, fans would have to endure Diddy stopping every track to throw in an ad-lib or bust a quick dance move, but it would be worth it to hear him run through tracks like “Juicy” and “Hypnotize.” Big isn’t the only artist on Bad Boy’s roster to get some airtime. Verzuz needs more tact and more women. Dupri’s R&B records probably run even deeper, but Diddy can keep up by playing tracks from Mary J. Blige, Jagged Edge, Faith Evans, and more. This was an easy test. What’s the rundown? Babyface vs. Teddy Riley (Parts 1 & 2), Everybody Had Jokes for Brandy and Monica’s Verzuz Battle, 14 Depressing Royal Anecdotes Princess Diana Revealed in Her Tell-All Book, “I would love to go forward knowing that Biden was the victor because I nailed that shit.”, Drew Barrymore’s Alter Ego Is Comedy-Club Owner Mitzi Bananamore, Director James Gunn Has One Question About Space Force’s New Member Title, VP Mike Pence revealed personnel working for the service will be known as “Guardians.”, While Chloé Zhao takes home Best Director for, George Clooney Tried to Swoop In and Rescue Ben Affleck From Being Batman, It’s (Almost) Too Late for Shipping, So Send These E-Gift Cards Instead. #legacy #legend #celebration #babyface #teddyriley #versus #battle You\'ll receive the next newsletter in your inbox. Christmas Movies About Bloggers, Ranked by Realism, Yikes, a Whole Bunch of Shows Shut Down Due to COVID This Week. After Timbaland and Swizz Beatz kicked off the Instagram Live battle trend on March 24, they’ve been instigating follow-ups, which have included more producer battles (Boi-1da vs Hit-Boy) as well as songwriter battles (Sean Garrett vs The-Dream and Johnta Austin vs Ne-Yo). Gladys scored Motown classics with her family band, the Pips, including “If I Were Your Woman” and “Neither One of Us (Wants to Be the First to Say Goodbye),” and persevered long enough to have hits in the ’80s like “Love Overboard,” “That’s What Friends Are For,” and the Bond theme “License to Kill.” Patti’s Blue Belles evolved from a ’60s girl group into the successful funk group Labelle, but her biggest hits would happen in her solo career with staples like “New Attitude” and the Michael McDonald duet “On My Own.” For Verzuz, the longtime friends and collaborators celebrated each other, sang as beautifully as they did at their peak, and offered words of encouragement for the generations coming up behind them. Jadakiss ran off with it because he has written no less than a dozen songs better than the best Fabolous song. Unfortunately, Baby’s catalog is just too deep, especially after the release of “Find My Way.” Sada Baby records six new songs while battling SahBabii, and while the latter puts up an admirable fight, Sada is just too hot right now to lose. Nelly’s “Country Grammar (Hot Shit)” landed like a bomb that summer, masking coarse street talk in playground melodies. Who won? The battle was the first Verzuz night to carry an official sponsor, thanks to Diddy and Ciroc, at once a logical conclusion for the series and a puzzlingly bad idea, because the last few times Fab’s name made national news, it was for a video of him publicly threatening his girlfriend and her father, an arrest for domestic violence, and a rumored plea deal for the case. —Jessica McKinney, This one ain’t gonna last long. What’s the rundown? Highlights: Decades of hip-hop royalty camped out in the comments, RZA arriving in a sleeveless vest and gloves with Afro Samurai playing in the background, Premier calling the reviled Wu-Tang hit “Gravel Pit” a pop song and following with Christina Aguilera’s “Ain’t No Other Man,” RZA chasing the scorching Biggie diss track “Kick In the Door,” off 1996’s Life After Death, with “The Long Kiss Goodnight,” another diss track off the same album. Erykah Badu and Jill Scott to Battle on Next Episode of VERZUZ: An exciting female-led bout for the Instagram Live music series. I’m giving the edge to Timbo for baiting Swizz into playing R&B and standing strong when his opponent’s (killer) stash of 2006 Beyoncé classics ran out, revealing his opponent’s shortcomings while showcasing his own strengths. As an Los Angeles native, Mustard has an ability to create music that feels relevant to the region but also resonates with outsiders. (Some other time, let’s talk about the towering synths on “Drank” and “Chopped N Skrewed” being every bit as instrumental to the massive sound of ’05-’08 hip-hop as DJ Toomp jams like T.I.’s “What You Know” and Jeezy’s “I Luv It” or Drumma Boy on Tip’s “What Up, What’s Haapnin’” and Jeezy and Kanye’s “Put On.”) Jon brought rowdy Atlanta crunk music to the masses and produced for everyone from Usher and Ciara to Pitbull and, yes, T-Pain. Alchemist is still in the game, though. What’s great about Diddy and Jermaine Dupri is that they have something for every type of fan. Verzuz reimagines the DJ battles of hip-hop’s early days for the “one gotta go” set. came out in 2017. He plucked Notorious B.I.G. Southside and Lex originally co-founded 808 Mafia, but Luger left to strike out on his own. Southside teamed up with Future for songs on the classic projects Monster and DS2. DMX put on a good show, but his well of hits dried up in the mid-aughts, while Snoop caught a second wind thanks to a string of gold- and platinum-certified Neptunes collaborations. Timbo and Swizz went hit for hit over IG — then invited producers like Babyface and songwriters like Ne-Yo to do the same. But it’s tough to say that common sense truly won the day, as masks were scarce at Magic, and by all accounts, the after-party was a clusterfuck. Or you could argue that letting the worst jab of the night go unanswered is a kind of loss. What’s the rundown? Even with a less consistent discography, 645ar would be able to simply outlast RMR to take the crown. Wendy’s hawking lemonade during “Lemonade.” Def Jam flaming Atlantic. How to watch Verzuz: Gladys Knight vs Patti LaBelle battle on Instagram Live and Apple Music. You’d hear Jagged Edge’s “Where the Party At” in the same urban radio block as 112’s “Peaches and Cream.” But the Memorial Day battle illuminated the differences between two groups with very similar career trajectories. You could argue that Babyface won the first night after coming in hot with two Bobby Brown classics and remaining a good sport while Teddy’s full band, hype man, staff, and camera crew fumbled around with microphones and speakers, trying to livestream on two separate platforms and drown out a deadly echo Riley swore at one point was coming from the other guy. The two versus seven matchup is more interesting, with Big Baby Scumbag utilizing his love of Miller Lite to get DaBaby drunk five songs in. You might hear the same song at three different battles: once from a producer, again from a co-producer, and then again from a songwriter who helped fine-tune melodies or flesh out lyrics. Gladys Knight and Patti LaBelle are soul-music institutions celebrated as much for their grace as for possessing two of the greatest singing voices in recorded-music history — Gladys for her rich contralto and Patti as a soprano with a shocking range for whom no note seems too high. Both artists are masters of tasteful love songs with hot streaks lasting through the mid- to late aughts. Alchemist most recently commented on a possible Instagram Live battle in an interview with Eliott Wilson, saying Madlib would “absolutely destroy me,” but here’s hoping this still goes down. 2 Chainz and Rick Ross are both southern rappers who toiled hard toward much deserved breakthroughs in the back portion of the aughts: Chainz with his group Playaz Circle’s “Duffle Bag Boy,” and Ross with his hit “Hustlin’.” Both artists found their musical footing years after attending college on sports scholarships and have since made a mint by threading engaging street narratives with borderline cartoonish moguldom, some of which you could see on display during the duo’s battle. And both have more than their share of songs that were not only hits, but also went on to define an entire era in hip-hop—an era we are still, in a lot of ways, in the midst of today. The outrageous showdown between Atlanta-based hitmakers The-Dream and Sean Garrett is the reason Verzuz now has ground rules. The landscape changes daily, but as of now, in this outrageous hypothetical no one asked for, Sada Baby is rap’s best baby. Hit-Boy applied pressure with big radio records like Bey and Nicki’s “Feeling Myself” and Kendrick’s “Backseat Freestyle,” but Boi-1da had an answer for almost every one of them. While RZA made noise in Staten Island, Preemo made magic with Nas, Biggie, Jay-Z, Mobb Deep, and more. Throughout quarantine, Swizz Beatz and Timbaland’s Verzuz battle series has grown from a novel event bridging hip-hop’s past and present into uplifting excitement in our indoor spring and summer, joining DJ sessions by D-Nice, Questlove, and others (as well as Tory Lanez’s unpredictable, short-lived Quarantine Radio series) as the must-see remote-but-live viewing for rap and R&B fans while live shows and festivals are sidelined by COVID-19. The winner is anyone tuned in to hear the story of New York hip-hop song by iconic song. Brandy and Monica got their start as teen singing sensations in the mid-’90s, as Brandy parlayed the success of “I Wanna Be Down” and “Baby” into lucrative sitcom and Disney acting gigs, and Monica built a career on the honest lyrics and effortless vocals of songs like “Before You Walk Out of My Life” and “Don’t Take It Personal.” Their famous chart-topping duet, “The Boy Is Mine,” popped thanks to a peculiar chemistry between the two, which sometimes appeared to the outside observer as something of a rivalry — egged on by shady moments like Brandy changing the hook to sing, “The song is mine,” at a live performance a few years back because she’d pitched in with writing and Monica hadn’t. Highlights: Legend starting with Lauryn Hill’s “Everything Is Everything” and revealing that he played piano on the Miseducation hit before he blew up, the duo having an impromptu Ciroc toast in the middle of Legend and Rick Ross’s “Magnificent” (a harbinger of brand partnerships to come), Keys doing the phone call from “You Don’t Know My Name” as Legend recreated the sample using his voice and piano. There aren’t knockouts. —Jessica McKinney, Who you pick in a battle between Dreamville and Top Dawg Entertainment reveals more about your rap personality than you’d probably care to admit. The Teddy Riley vs. Babyface battle goes down Saturday (April 18) on Instagram at 9 p.m. EST. It was the tensest moment in Verzuz history, but cool heads prevailed as Jeezy urged Gucci to consider the youth that look up to them and the many rappers we’ve lost over the last few years. The first Verzuz battle after a recently announced partnership with Apple Music was also the first to offer a landscape-mode option, breaking up the off-the-cuff feel of the early Instagram Live meets (though it was simulcast on IG, so you could still watch if you’re not an Apple Music subscriber). The audience is mostly in charge of the scoring, and there’s rarely a consensus on points. Patti LaBelle and Gladys Knight will go head-to-head in a Verzuz battle. He pulled a few too many of his biggest hits too early, and that cost him in the back half of the battle, when Boi-1da locked in, playing ten years’ worth of Drake hits. Highlights: Every dance move, Beenie getting the Jamaican Constabulary Force to leave by asking an officer if he “really wanted to be that guy” and ruin the night for over 400,000 viewers, Beenie and Bounty freestyling over “Astronomia” (better known to savvy internet citizens as the Ghanian pallbearers’ song), intercontinental luminaries in the black diaspora like Usain Bolt, Rihanna, Skepta, and Popcaan paying homage in the comments. —Shawn Setaro, This would be the battle no hardcore rap fan would want to miss. Legend is the youngest performer to EGOT, joining the likes of Rita Moreno, Mel Brooks, and Audrey Hepburn. Jakes at the start of the night, commissioned member and gospel legend in his own right Marvin Sapp dropping by to sing his classic “Never Would Have Made It,” former Family member Tamela Mann’s surprise rendition of her standard, the triumphant, Franklin-penned “Take Me to the King.”. After a few rounds, they gave the series a name: Verzuz. The Holidays Are a Drag: Taylor Mac and Joshua William Gelb Dress for It, Marcella Arguello Doesn’t Need Your Puny Compliments. Who won? A battle between the two made perfect sense, and once technical difficulties on Nelly’s end subsided, the night took off. Riley’s singing groups Guy and Blackstreet scored classics in “Piece of My Love,” “Groove Me,” and “No Diggity.” Saturday night’s main event drew the pregame excitement of a Tyson fight for the grown and sexy crowd. It is greatly appreciated if you help out by reporting rule violations in this thread, and if it does not gain attention, report the incident directly to the VS Battles staff.. Also, please note that violating a rule in another's turn does not allow exemption, for example: breaking a rule because "the other member broke the rules as well" is not an acceptable excuse. If you didn’t have Swizz or Tim or the Neptunes involved with your major label album, you were slouching. The winner this time was us. Fans who’ve held onto the idea that there was smoke between the two were met with a night full of mutual admiration and soothing music. Brandy took it, but Monica held her own, even if she started to run out of hits toward the end. Highlights: The-Dream playing mini-golf on camera as Garrett came in seemingly sloshed and delivered impromptu opening remarks, Dream showing off the demo version of Jay-Z’s “Holy Grail” with himself on the hook instead of Justin Timberlake, Garrett spooking the crowd with love faces, famous spectators like Fat Joe, Kelly Rowland, and Rick Ross getting fed up and acting out in the comments. “Miss Me,” “Headlines,” “0-100/The Catch-Up,” and “Over” — all him. But Storch did take this one in the end. Jagged Edge, a quartet fronted by identical twins, found Georgia producer Jermaine Dupri. This face-off is less about a winner and more about celebrating two hitmakers who have been such a large part of hip-hop music for nearly two decades. What’s the rundown? Kendrick is in a league of his own, obviously, but DAMN. Few songs have been more influential than Lex’s “Hard in da Paint,” and the successes that followed in its wake, from “B.M.F.” to “H.A.M.” and even some songs without acronyms, set the stage for pretty much every trap producer who followed. But that’s far from it for each of them. If Brandy versus Monica was for the feuding cousins, Gladys versus Patti is for the aunties. Keys’s memoir, More Myself: A Journey, was released this spring. Back to back bangers and lively banter from these two made this battle less of a war and more of a club night. You can score points with records mostly made by someone else. Who won? Who won? Texas songwriter, performer, producer, and choir director Kirk Franklin followed Hammond’s lead in the ’90s with his choirs God’s Property and the Family, adding funk and hip-hop into the mix and crossing over with unlikely R&B radio hits like 1997’s Funkadelic-sampling “Stomp.” Franklin and Hammond’s Verzuz meet wasn’t a battle so much as a necessary moment of calm led by intergenerational talents. Depending on the song, Tory Lanez is either an R&B singer employing rap cadences or a rapper with a keen ear for melody. The bracket goes chalk in round one, but the one/four matchup goes to Birdman who receives a little bit of Dr. Carter rejuvenation and teaches Lil Baby not to trifle with the OGs. Who won? Dive in below. Ab-Soul will spend 20 minutes railing about conspiracy theories before he even gives you a song, and Jay Rock is just trying to convince you to give him a chance. What’s the rundown? Pi’erre Bourne and Ronny J are two of the most successful beatmakers to emerge from the ranks of the SoundCloud rap world. What’s the rundown? On his own, Pharrell could take up days of time running through his solo hits like the cheery dance anthem “Happy” as well as his collaborations with Beyoncé, Kendrick Lamar, Migos, and so many more. © Complex Media, Inc. All Rights Reserved. What’s the rundown? Mannie Fresh is a Southern rap hero best known as the architect of the Cash Money sound. Trying to push Boi-1da out of his comfort zone was a solid strategy that kinda backfired on Hit-Boy in the end. Highlights: Toni Braxton on the warpath on Twitter, Mariah Carey and Adele getting jokes off, Babyface playing “Change the World” on acoustic guitar while Teddy figured out sound on Monday, Raekwon in the comments talking about robbing people to Babyface songs, Riley’s team trying to sort out mic problems by bringing in even more mics, Babyface getting a little dig in about social distancing while Riley streamed from a room with what looked to be ten heads present but no masks in sight, the MEMES. The battle wasn’t the blowout fans might’ve expected, but the West Coast legend ran off with it. Ronny J produced one of the songs that really kicked off the SoundCloud rap wave (in fact, you can hear that argument here), Denzel Curry’s “Threatz.” And Pi’erre’s work with everyone from Playboi Carti to Trippie Redd and (admittedly against his will) 6ix9ine helped the movement hit its commercial heights. He ate shots through the early rounds and came out swinging near the end when his opponent wound down. Regional bias and generational schisms creep up. Women won. And Pi’erre’s more relaxed beats have kept artists like Carti and Young Nudy coming back to the well again and again. What’s the rundown? —Jessica McKinney, Ty Dolla $ign and Jeremih are the unsung heroes of hooks. Babyface writes stately, masterful love songs for a long list of clientele that’s included Whitney Houston, Toni Braxton, Bobby Brown, Boyz II Men, and Ariana Grande. There’s nothing wrong with a slugfest, but it’s draining hearing people trash timeless classics. Relations between the pair have been frosty at best ever since, such that when T.I. Nelly put points on the board, bafflingly avoiding his platinum-selling Tim McGraw collab “Over and Over,” but it wasn’t enough. The rules came together on the fly through trial and error. The latter had his day as rap’s best baby, but in 2020, Sada’s reign is only beginning. Swizz Beatz tells a funny story about how he and fellow hitmaker Timbaland came to co-create Verzuz, the weekly, real-time, virtual DJ battle on Instagram … Highlights: Storch smoking fat blunts the whole hour and lighting them with a portable torch, Jadakiss laughing in the comments when his Mariah Carey collaboration “U Make Me Wanna” came on, Storch sneaking Justin Timberlake’s “Cry Me a River” into the mix on the technicality that he’s credited as the song’s clavinet player in the Justified album liner notes. It was a lock for Snoop the minute they announced his sparring partner. Who won? After 10 Years on the Moon, Kid Cudi Comes Back Down to Earth. His production discography dates back to the mid-90s with credits on Prodigy’s “Keep It Thoro” and Jadakiss’ “We Gonna Make It.” More important to reliving their greatest hits though, this battle would be an opportunity to see legendary artists at work. And then there’s SZA and Isaiah Rashad, two of the label’s most exciting artists, but two artists unwilling to give into traditional release schedules. Gucci opening round one dissing Jeezy on “Round 1.” Adult star Teanna Trump using the comments section to schedule dick appointments. 112 brought in songs with Mase, B.I.G., Mobb Deep, Puff, and Faith to balance out the syrupy album cuts. It was a lot like people who spam fireballs in Street Fighter: It’s rude, but if you can’t beat it, you can’t beat it. Who won? It would be a true dream battle, if it actually happened. Vergelijk smartphones, camera's, hoofdtelefoons, grafische kaarten en nog veel meer. As it stands, each battle goes 20 rounds, with each contestant playing a hit and hearing a rebuttal. We heard about six songs in the first hour and a quarter, after which point Riley asked for 20 more minutes to work out sound and Babyface quietly escaped and promised to reschedule the already rescheduled battle. April 19: Last night’s Instagram Live battle between Babyface and Teddy Riley was maybe doomed to fail from the start. The battle was a trip back to a raunchier, more reckless time, as X played faves like “Money, Cash, Hoes” and Snoop responded with villainous career highlights like “Ain’t No Fun (If the Homies Can’t Have None).” When the duo later freestyled back and forth, Snoop reminded us that he’s just as good at rhyming off the top of his head as he is at writing songs, and X barked out a litany of threats and trash talk, forgetting what decade we were in at one point and dropping an F-bomb (the other one). Log in or link your magazine subscription, 14. Both singers have made movies. He helped YG gift L.A. with the classic My Krazy Life album, and his collaborations include a dizzying list of greats from Rihanna to Beyoncé to the Migos to Nipsey Hussle. The two hip-hop stars will go live Saturday on Instagram in a battle of hits. People swear this was a blowout in Storch’s favor, accusing Mannie Fresh of having a sound too specific to its era and area. While we all remain indoors during quarantine, theGrio has 10 Fantasy Instagram Live battle match-ups that would most certainly break the internet. Ross was accompanied by twerking dancers and got a shirtless massage — both Verzuz firsts. What’s the rundown? Probably too much, but I do. Both groups charted strongly through the early 2000s, often in competition. It’s hard as nails! Everything For $10 Watch super producers Timbaland and Swizz Beatz battle it out hit for hit! The partnership only expanded from there, culminating in the iconic “What U Know.” Plus, there are classics with Jeezy, Ludacris, and other ATL-iens. Diddy and Jermaine Dupri are gatekeepers of the biggest club hits and dance records of the ’90s and 2000s. Off the heels of My Turn, we have Lil Baby in at number one, with DaBaby a close behind two seed. —Shawn Setaro, London on da Track and Metro Boomin are two trap producers who have taken Atlanta’s music scene to new heights. How a presumptive Game of the Year botched its launch. Who won: Millennials who grew up with the God’s Property from Kirk Franklin’s Nu Nation album in lieu of secular hip-hop, who are now old enough to appreciate a show that starts at 5 p.m. and lets out before 8. —Jessica McKinney. Premier, a New York hip-hop hall of famer by way of Houston and Boston, is a turntable wizard capable of creating new melodic lines out of preexisting records. 645ar unleashed his self-titled mixtape from last year, which betrays an emcee not totally reliant on squeaking towards success. The cornerstone of DMX’s mammoth five-album reign in the late ’90s and early aughts was the leashed-pit-bull intensity of hits like “Get at Me Dog” and “Party Up.” At first, this seemed like a questionable matchup: the brash electronics and coarse vocal tones of DMX’s heyday and the impossibly smooth G-funk of Snoop’s rich back catalogue felt like perpendicular vibes. Puff, please and thanks.). After a hilarious couple minutes of trying to figure out how to pin a comment on IG Live, the duo settled in, played a bunch of classic records, talked trash, threw shade, and reminded everyone why we consider them to be R&B greats. 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